Inspired by Combo’s great rendition of Who’ll Stop The Rain, where he combined the chords and melody into an instrumental arrangement, I figured I could probably start adding a little guidance on how to go about this.
A Chord Solo is an instrumental arrangement of a song that incorporates the melody, the harmony (chords), as well as the rhythm (strumming or fingerpicking patterns) into a single guitar part. In order to do this, you must have all 3 parts very clearly defined in your head.
First, you should be able to strum or pick through the chord progression as an accompaniment to the vocal part (the melody). Then you need to be able to play the melody alone, as if you had someone else playing the chords. You must have a very clear idea of the timing of every note, knowing exactly which beat of the measure it is on. This helps you determine whether a note is picked down or up, as notes on the beats (1, 2, 3, 4) will be downstrokes and notes between the beats (on the ‘ands’) will be upstrokes, at least as far as a strumming arrangement is concerned.
Once you have these things organized, you strum through the chords and when there is a melody note that needs to be played, you focus the strum on just the string that that melody note is on. It is usually fine to hit 1 or 2 of the neighboring strings as well, as long as the melody note is a little accented. Simply aiming your strum for the correct string creates this accent.
Many of the Play Through segments of lessons in the TARGET Program are good examples of Chord Solos. Once you have a good understanding of the rhythm parts to a song, all you really might need is a little help with the melody. I looked back at some of the TARGET songs and decided to add a lead sheet (just the chords and melody) to some good songs to start this with. Proud Mary jumped out at me as a great candidate for students to work on this technique. Take a look at the attachment Proud Mary - Lead Sheet, and see what you can do.
Any of our TARGET members who missed yesterday’s episode of TG Live can now watch the archived version. We spent most of the show addressing questions that our members had submitted during the few days leading up to the broadcast. This worked really well and will continue to be a big part of every episode. Episode 8 is split into 2 parts and you can in the TARGET Section under TotallyGuitars Live!
As many of you know, I have recently been in Hawaii on a personal mission but there was definitely a little time for music. While I was there I took a little time to learn the ukulele. It’s a lot like the guitar… just smaller, tuned higher, and missing a couple of strings. There is a new lesson up for our TARGET members on how to play Over The Rainbow and What A Wonderful World, much like it was done by Hawaiian legend Israel Kamakewiwo’ole back in 1993 on his 1st solo album, Facing Future. It is in the TARGET in the new category of Ukulele Songs
Check it out when you can and don’t forget to join us this Saturday for TG Live- noon in California…
UPDATE: TARGET Preview available for free members click here
Today we have added Van Morrison’s Moondance to the TARGET Program. This short lesson goes over a percussive rhythm vamp done fingerstyle, switching into a pattern strummed with a pick, which is also used to play the bass riff in the chorus. It includes what I call the ‘hidden pick trick’, which is a technique to quickly change from playing with fingers to playing with a pick, without missing a beat or fumbling around for the pick.
TG Live on Saturday
Our next episode of TG Live will be Saturday, August 29 at noon in California (PDT). We hope this will be a good time around the world as that will be 9:00 PM in Europe, 8:00 PM in the UK, 3:00 PM in New York, and bright and early Sunday morning across the Pacific- 5:00 AM in much of Australia and 7:00 AM in NZ. We will talk about some of the recent additions to the TARGET Program, as well as anything else our members would like to bring up. I hope everybody can make it. If you can’t, we will have the show archived a day or so later as usual.
Pay Per Lesson
I hope anybody who has not joined the TARGET Program knows that we are now single lessons available to purchase for a one time charge of $14.95. This will give you complete lifetime access to whichever song(s) you like. This can be a great way to test drive the TARGET Program without making a monthly commitment. It might also be a good choice if you are they type who likes to work diligently on a single song until you get it mastered, which easily could take more than a month with many of the songs. The Pay Per Lesson link is under the TG Videos menu.
That’s it for now, although now that the summer is coming to an end, I will be getting back to more frequent updates here on the Blog, as well as on the Forum. Hopefully everybody can get back in the habit of checking here for news.
I didn’t mean to get your hopes up- Sheryl Crow will not be joing us on the next episode of TG Live, which is scheduled for this Friday, August 7, 2009 at 6:00 PM in California, 9:00 PM in New York, and once again, the middle of the night in Europe. I hope our Aussie and Kiwi members will join us on Saturday afternoon and everybody else will be able to catch the replay forever. I am still working on the agenda so get those questions and requests to me soon, although I might just go the usual route- ignore (or forget) the plan and wing it.
I did bring up Sheryl for a reason though. While I was in South Dakota last week I managed to put together a lesson on a song of hers, Strong Enough. It is in the TARGET section and ready for our members to start working on. There are a couple of neat things about it. One is an unusual way of playing an altered Bm chord that is easier than the full bar. It also includes a picking pattern in 6/4 time, really 4 beats of one chord followed by 2 of another.
It is also an example of a song that the original artist plays somewhat differently every time, especially as far as the picking is concerned. I also saw a video where she added a 2nd guitar part using a capo at the 7th fret fingering the chords in G, in order to be in the actual key of D like the 1st guitar.
This is not the type of song where playing exactly the same way every time is a good, or even preferable thing. I have arranged each of the parts as kind of a hybrid of the many ways it can be played. Once you have it down as is, you should definitely change some things around.
I hope you can have some fun and learn something from it (as usual).
I know we are starting to inundate you with new material so I almost hesitate to put this out now, but I have had many requests over a very long time to finish a lesson on the classical guitar standard Romanza. This is a piece that I like all my students to learn at one time or another. It has a simple arpeggio going on in the right hand but some complicated concepts and techniques for the left.
There are many arrangements out there and this one is basically the one I grew up with in the book World’s Favorite Series (#43, I think), where it is called Spanish Ballad. It is now up for our TARGET members in the Guitar Instrumentals section, along with Classical Gas and Embryonic Journey.