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 In addition to providing your auto repair shop with a vcs interface, it is vital not to jump to conclusions about what is causing the issue. You'll be wanting to keep away from giving the shop a list of potential issues you found on the net or a list provided from a mate.more

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Some of the more sophisticated equipment comes with help Launch X431 Diagun III, such as software that guides users through the entire reprogramming process from start to finish. But most of this equipment does not come with training. The more expensive the item is, the more likely it is that training is provided by the manufacturer.

"It is important to know if training is provided onsite," said Steve White, president of Electronic Specialties. "It's always smart [for the distributor] to check into training options before talking to the customer about any creader professional 123."

Updates are also a constant occurrence with this equipment.

"Software is [usually] updated four to five times a year and the hardware updates as necessary," said Horak. "It follows the computer model; we have quicker time to market, and we also have faster and more rapid reaction to issues with the VAG COM 12.10.3 such as bug fixes, gaps in coverage and finally with the hardware being reflashable and updateable. This allows the customer to have very little down time."

Most often, however, it's up to the technician or shop owner to find out whether updates are available when they have a vehicle come in for repair.
"There's often no way that shop owners or anyone on the aftermarket get notified from the OEMs that there are particular updates available for the X-431 PAD," said Brown. "Technicians and shop owners can find out that information by using reference sites that the OEMs have available."

I seem to have reached a frustrating plateau in my development as a guitar player. Though I practice every day, my rate of improvement in the songs I am currently learning: Norwegian Wood, Fast Car, You Can Close Your Eyes and Don’t Fear the Reaper, is all but non-existent.

I had hoped that by now I would be playing a much better rendition of You Can Close Your Eyes – it’s been well over a month since I began to learn it. However, though I can play each of the individual parts if I separate them out, I still have trouble stringing them together and, overall, my performance is sloppy, fragmented, out of tempo and, in some areas, downright awful!

Norwegian Wood is pretty much the same; compounded by the fact that I’ve been practicing it even longer. I know the song and I have a good grasp of each of the elements but, when strung together, my performance lacks the correct flow and metre.

Since that start of April I have added Fast Car and Don’t Fear the Reaper to my list of songs and have already got the basics down. I’m a little less concerned about my lacklustre performances here – it’s only been a couple of weeks after all – but I suspect that issues I am experiencing with them serve only to highlight a common and underlining problem with my development.

You see I’m beginning to realise that in each case my problem is technique, and I’m starting to worry that these problems may be a) ingrained and b) insurmountable.

Consider the case of Don’t Fear the Reaper as an example. In his lesson, Neil suggests that you use an alternating up and down picking rhythm to play the main riff. The trouble is I’ve spent the last 30 years avoiding up strokes like the plague. I can play the riff using alternating strokes but I have to a) recite the phrase ‘down up’ in my head the whole time and b) play painfully slowly.

In Norwegian Wood I have a similar problem. Whilst I’m pretty good at strumming if I use only down strokes (very thrash metal), I struggle to incorporate alternating strokes. It’s almost funny. I either miss the strings altogether on the upstroke, hit them so hard that the strings twang against the fret board or catch the strings with the pick at a totally inappropriate upward angle which subsequently flips it out of my hand and catapults it across the room. My two cats now refuse to stay in the same room as me whenever I pick up the guitar: justly afraid of being hit by flying plectrums.

I suppose that everyone hits these little plateaus from time to time and I just have to man up, push through and bide my time patiently. Still, my technical problems are perturbing and I feel quite childish at having to slow things down so much and go back to basics.

Can you teach an old dog new tricks?

It's hard to believe that it's only been three weeks since I started to learn You Can Close Your Eyes ... it seems like a lot longer. I've got it all in my head now though I still struggle to play it all without stumbling and I still have to refer to the tab on almost every playthrough to get the fingering right. Never-the-less I'm quietly impressed with my progress in three weeks and have high hopes that I can polish it into something not-too-shabby by the end of April.

As it's the start of a new month tomorrow I get to choose another two songs as part of the Target Lite programme. I'm still sticking to my original plan - Fast Car and Don't Fear the Reaper - but who knows what will happen when tomorrow comes. I'm making no progress what-so-ever with River Man so perhaps a little break to learn one of my new songs will help.

I'm pleased to find that I'm still enjoying learning new songs and I'm happy that I chose Target Lite rather that splurging on the whole Traget programme. Though undoubtedly good value it's clear that two songs a month is more than enough for me at the moment.

I'll be back soon with more updates ... for anyone who's reading this. LOL :0)

I'm definitely getting better at You Can Close Your Eyes. I've learned the intro and the whole of the verse and constant practice is honing them into a fairly acceptable rendition. If I can memorise the chorus in the next few days I'll pretty much know the whole song since the verse and chorus are repeated for the second half of the song. Then I'll only have the outro to nail and all the rest is just practice, practice, practice ...

To add a little light relief to learning JT I've also started work on River Man by Nick Drake. This is a completely different kettle of fish; with less technical fingering and syncopated timing and more of a driving, almost monotonous rhythm in 5/4 time. This in itself is proving quite challenging and when you throw in the tortuous added 9th and 11th chords and the occasional five finger grab ... well let's just say I've set myself another hefty challenge. As with JT however, I'm sure the end result will be well worth the effort but I need to choose some simpler songs to add to my repertoire.

With this in mind I've been thinking about the two songs I can add to my TARGET Lite programme next month. I'm fairly sure I will probably change my mind when the time comes (I'm very fickle like that) but I'm thinking I'll go for Fast Car by Tracy Chapman and Don't Fear the Reaper by Blue Oyster Cult. The former I'm choosing because I really like the song and have wanted to be able to play it for a long time. The latter I'm choosing because Neil says he makes all his students learn it. And if it's good enough for all his students then Hey! It's good enough for me.

Now ... back to JT.

See you all soon.